Our evening began in the afternoon. We left for Cleveland in ye olde Hyundai around 4, and after 2 hours on the road (including a completely surreal stop at a random McDonald's, a franchise the inside of which I haven't been in in like 15 years; seriously), we arrived at our dinner
destination. There were fancy breads, there were hearty steaks, there were pots of seafood. Dabbing the corners of our mouths with napkins, we finished our meals and settled in for a evening of My Morning Jacketry.
There was an opening band, and they were good enough.
The Slip. They were kind of avant rock (just let me pretend like I know what that means, ok?), they wore animal helmets, and they played toy xylophones as percussion instruments. Interesting enough, as it was put to me. As I write this, I have received word that The Slip is indeed available on emusic, and I'm happy about that. There hasn't been a lot of new music to get all horny over lately, has there?
Anyway.
The band came out. They began playing their own special brand of ethereal, country-tinged stadium rock. There were strobe lights. There was a smoke machine. They tore into At Dawn (not my favorite song, but a sturdy enough one...), and the crowd was instantly keyed in. Surely we were in for a sonic treat! An especially awesome breakdown during Off the Record was a highlight, as was the solo for Dondante, the sullen-osity of The Way He Sings, the chorus of Wordless Chorus (during which Jim alternately thrust at the crowd and clutched close a plush wooly mammoth;
seriously), and the length and breadth of Phone Went West.
An aside: Phone Went West is exactly why I love MMJ's lyricism as much as I adore their sound. The words to PWW are simple enough
(Is there a doctor in the house tonite?
If there's a wrong, he could make it right.
Is there still a lock on your front door?
Is there still a lock on your back door?
Tell me I'm wrong, tell me I'm right.
Tell me there's nobody else in the world.
Tell me I'm wrong. Tell me I'm right.
Tell me there's nobody else in the world)
but it's what you choose to do with these words that make MMJ MMJ and not your crappy favorite band: you can see this song as a lament on emotional unavailability, you can see it as a threat from a controlling old boyfriend, you can see it as a plea to get help, and you can be right each time. Mostly, seems to me, Jim James' lyrics are upbeat, positive, even kinda Christian. But lying just beneath the surface is this fucking awesome sense of menace, but only if you choose to look for it. (George Orwell pulls off this nonsense, too--this ability to allow every person who encounters his work to interpret it differently yet accurately--and I marvel at it.)
Anyway.
For their encore, they busted out Golden, an agreed upon classic played to near-perfection, Steam Engine, Magheeta, and then the best version of Anyime I've ever heard. I wish I could write more intelligently about music, because nothing I come up with can belie the fact that the sound these guys make is so big, so EPIC, yet oh-so personal that I can't hardly take it. I've been to literally dozens and dozens of concerts, seen hundreds of bands, and after watching MMJ do their thing twice now...they're playing a game with which I am unfamiliar.
JJ played approximately 7 different guitars throughout the night (the badass Fender being the best and most effective), he rocked some pretty fucking terrific
moonboots for the duration, and to say that dude has some stage presence is to put it lightly. Sliding around the stage, scaring his drummer, leaning out into the crowd, he completely owned a whole House of Blues filled with cooler-than-thou hipsters. This is not easy to do. He is a supremely weird individual (one gets the sense he didn't make many friends in high school, as he was too busy drawing pentagrams on his Trapper Keeper), but he's also a savant virtuoso with grand visions, and I'd say that's working out for him.
Another aside: coming back from the bar to my spot on the floor, I got almost knocked over by a blunt force that struck my knees from behind. I thought maybe I was getting soccer-tackled or something, but when I turned around, I saw that a 20-ish year old girl had passed out and my knee had broken her fall (which pleased me, for her sake). Her friends gathered around her as she lie on her back, eyes open but rolled back in her head. Then she vomited. It shot out of her mouth and...up her face, covering her nose, eyes, forehead, then hair. They rolled her over as she started to wipe her own face off. If I have to see these things, you have to read about them.
I bought a t-shirt and a bumper sticker. I stole a one-sheet from a pillar. My boy Chad got his grubby little hands on the actual set list from the stage (I'd post a picture of it but Blogger is a real dickweed today.) I pretty much plan on seeing this band as many times as I possibly can before one of us dies. TMy Morning Jacket is an almost unimaginable sythesis of nearly all of my musical interests, they're terribly wonderfully awfully pleasing to my ears and the ears of others, and if I were a dictator, I would, without
hesitation, kidnap them and make them play twice a night at my palace. Under penalty of torture. I'm 87% kidding.
And, since I know you're curious, here is a list of words that I've had to manually enter into my cell phone's text message vocabulary:
- Abby
- badass
- BG
- blog
- buckeyes
- cased
- damn
- effette
- FF
- fuck
- fucked
- fucker
- fucking
- gracias
- haha
- havent
- horsefaced
- ive
- Liss
- Metallica
- motherfucking
- mortibund
- muddah
- ooh
- pedicure
- pussy
- Saarsgaard
- senorita
- shes
- shitty
- Stirf
- theres
- theyre
- tits
- youve